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the Hundred Head (1888) (notes by John McGivering) |
the poem
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The pacification of Upper Burma, so successfully occupied the previous November, was now failing to proceed according to plan. Resistance took the form of ambush and sniping, with officers as prime targets. In early June the CMG ran a report that a Lieutenant J. L. O. Armstrong of the Hampshire Regiment and another officer had been shot by unseen snipers as they took an evening stroll outside Mandalay’s Fort Sagaing. Ruddy’s first response was “The Grave of the Hundred Head” ...Some critical comments
Further reflection led Ruddy back to his first reaction to the news of Dury’s death seven months earlier and his remark (in a letter to Lionel Dunsterville) about ‘£1,800 worth of education gone to smash’, which he expanded into the six acerbic verses of “Arithmetic on the Frontier”. Three decades before Wilfred Owen. Kipling turns on their head his beloved Horace’s lines about how sweet and proper it is to die for one’s country:
dulce et decorum est pro patria mori[Wilfred Owen, who Charles Allen mentions above, perhaps the most powerful of the poets of the Great War, was killed in action a few days before the Armistice in November 1918, aged twenty-five. His shockingly realistic war poetry on the horrors of the trenches included "Dulce et Decorum Est".]
(It is sweet and proper to die for one's country. Ode III.2.13)
Of the ten new numbers included in the present edition, the three best – “The Ballad of Fisher’s Boarding-House” and “The Grave of the Hundred Head” and “The Galley Slave” - are out of place in their environment. The themes of them are tragic, the manner befits the theme, the effect is spoiled by a certain sense of incongrulity, and to get the full effect of it you have to go back on them and take them apart from their surroundings.Background
[see R L Green p. 58]