|
Main Guard" (notes edited by John McGivering) |
notes on the text |
… Kipling penetrates far enough into the personality and individuality of these characters to show that Tommy, derided at home when times were peaceful, [as described in the verses of the same name] was not only human, but was, too, an individual with a capacity for spiritual affection and self-appraisal, and the possessor of an unsuspected sensitivity which Kipling’s predecessors had denied him ... Kipling ... set a new style in military story-telling.Seymour-Smith (page 92) dislikes the accents but does see some merit:
In his use of dialect then, he fails ... he is not Shakespearean in that, and he was clearly trying to be. But there really is a touch of Shakespeare in these fictions of soldierly companionship.Norman Page (page 137) records:
An enthusiastic reviewer in Blackwood’s compared the description of fighting to ‘Homer or Sir Walter [Scott]’ [It might be the latter’s novel Ivanhoe that the reviewer had in mind; Ed.]