|
(1887) Notes by John McGivering |
the poem
|
I cannot be sure that the 'blind face that cries and can’t wipe its eyes’ which appears with horrific facetiousness in ‘La Nuit Blanche’ in Departmental Ditties and as pure horror in “At the End of the Passage”, rose in Kipling’s own dreams, but he himself has told us in Brazilian Sketches that once in a child’s dream he wandered into a Fifth Quarter of the world 'and found everything different from all previous knowledge', and the memory of that dream must have provided the groundwork for George Cottar’s wanderings. (in “The Brushwood Boy” in The Day’s Work)Bonamy Dobrée examines the verse in his Chapter IV, saying on page 211:
Sometimes the metre is too lilting, or the rhyme too pat, as to spoil such a set of verses as “La Nuit Blanche,” where the whole dread experience is put too much in the manner of “light” verse. But on the whole, the performance as such is astonishing, and the experimentation was to bear fruit.