There is a certain darkness into which the soul of the young man sometimes descends - a horror of desolation, abandonment, and realised worthlessness … I know of what I speak.Some critical comments
[McGill College, October 17 1907]
There are deeper and darker caverns which he penetrated, whether through experience or through imagination does not matter: there are hints in “The End of the Passage" and later in “The Woman in His Life? and “In the Same Boat?: oddly enough, these stories are foreshadowed by an early poem which I have not included,“La Nuit Blanche?, which reappears in “The End of the Passage?. Kipling knew something of the things which are underneath, and of the things which are beyond the frontier. There is also an interesting footnote on the same page where Eliot discusses “The Brushwood Boy? (The Day’s Work), “The Finest Story in the World" (Many Inventions)and others.
The narrative here is forthright and in the third person, and we need no more comment than we get from his knowledgeable ex-batman who steers him back to sanity by means of the jet-black dwarf Aberdeen bitch Dinah …This, too, is a healing through love.Martin Seymour-Smith(page 357) obviously misunderstanding the story, or perhaps unable to resist a play upon words, writes:
Limits and Renewals is the book of a tired and sick man, and it is weaker as a whole. There are stories in it with wonderful touches, none more wonderful perhaps than the detail of the dog John Marden believes he sees in “The Woman in His Life?…The tale deals with his redemption through a dog – through his saving of and love for a dog ... (it) fails because it is too engineered…the manservant Shingle … is the one who does does the engineering; he effects the cure.Angus Wilson(page 313) writes:
[It is of course “engineered? – it is a work of fiction, and the characters move as the author pulls their strings; the resourceful Shingle, evidently from a genuine affection for his employer, based on their experiences in the war, or perhaps also his affection for a soft job, or both, sees the problem and deals with it; Ed.]
Of the many tales of the healing of war’s mental wounds, most of them diffuse and over-elaborate, the most simply satisfactory is probably “The Woman in His Life?. In this story, a typical Kipling hero, a young veteran of the battle of Messines who, through engineering, builds up a thriving post-war industry, collapses from overwork and singleness of satisfaction. The wily Cockney valet (once his batman) of his Jeeves-Wooster West End luxury flat existence, saves his master from complete breakdown by persuading him to keep an Aberdeen terrier bitch. At this point all who are allergic to dog worship will leave. I like dogs well enough, but I am not a devotee: however I love cats enough to understand what Kipling is saying. He goes on to deplore the sentimentalitywith which Kipling covers his real egoistic conviction, which is that the magnificence of dogs lies in their complete subservience to their masters...See also John Coates, The Day’s Work, Kipling and the Idea of Sacrifice, (Associated University Presses 1997, page 90) where he discusses this story, “The Miracle of St. Jubanus? and “The Tender Achilles? (later in this volume) in his Chapter 5, 'The Redemption Theme in Limits and Renewals'.
It is hard to take as a whole; but it is an interesting example of how Kipling’s skill can reconcile an open-minded reader to the most unpromising themes.
[Jeeves and Wooster are a resourceful valet and a wealthy idle young man who figure in a series of very successful humorous novels set in the 1920s and 1930s by P G Wodehouse (1881-1975) whom Kipling met at his club; Ed.]
Publication First published in McCall’s Magazine for September, 1928 and the London Magazine Christmas Number the same year. Collected in Limits and Renewals (1932) it is preceded by |